Friday, 27 October 2023
John Murry /Whelan's - July 19th, 2023
Steve Earle / Vicar Street
Monday, 22 May 2023
Martin Amis R.I.P.
So, Martin Amis…
Can’t say he was my favourite of the British batch which came to prominence in the 1980s: I’d rate Rushdie, Barnes, McEwan all higher. He certainly wasn’t in the same league as his avowed heroes and influences, Nabokov and Bellow. That was just trying to establish greatness by association. Literature isn’t just about knowing and deploying dictionary words, although it can help. But it was his snobby public schoolboy attitudes that marred much of his work, and was really off-putting. Working class characters (e.g. Keith Talent) exist only as figures of fun and the butt of jokes. Football fans at a match he attends ‘look like crisps’. Granted, aspirational middle class characters are satirised too – but with them, it’s an inside job, talking across rather than talking down, much less condescending and more 'empathetic' - as they say nowadays. But that’s the English class system for you. Time’s Arrow is the best of his novels of those I’ve read. However, as with many novelists, I much prefer reading his journalism and essays rather than his fiction. It is as a social commentator, and as an explorer of his own consciousness, that I would suggest he will be best remembered. R.I.P.
Sunday, 19 March 2023
Pelé, and the World’s Best Dad
Wednesday, 1 March 2023
Song of the Faithful Departed
Friday, 27 January 2023
The Banshees of Inisherin - The Debate Rages
A debate seems to be brewing about the merits of Martin McDonagh's The Banshees of Inisherin. I got into a bit of a spat with someone on old codgers' FaceBook, who is insistent that Banshees is a masterpiece, and that anyone who thinks otherwise is ignorant of film studies. Here's an extract of my opinion, in response to that individual (who, let it be said, I otherwise admire).
'Accolades and nominations mean very little, or mean precisely as much as people are prepared to invest in them. You, more than many people, should know how the PR machine works. I have worked as a film critic - not that I think that's what qualifies me to have an opinion on any film I see. I wrote on this forum at the time I saw Banshees: 'I enjoyed this, for the most part. Sparkling dialogue and great actorly performances. However, I prefer Martin McDonagh's non-Irish set movies - Three Billboards and In Bruges - to his typically 2nd generation London-Irish stage Irishry plays and films. To echo John Coltrane's remark to Miles Davis, I don't think he knew how to end it.' I've never fully bought into McDonagh's Western Gothic (the west of Ireland, that is), which lacks an emotional core. 'Let's laugh at the grotesques and their tragic lives.' Banshees will play well in the U.S. - thus the 'accolades and nominations'. Some Americans probably think that's exactly what Ireland was like. Like lots of films and TV shows I see now, production values and performances are impeccably high. It's the writing that leaves something to be desired.'











