File this one under ‘inevitable’ too, along with Ulysses. Having done a Master’s degree at one point in what is quaintly termed ‘Anglo-Irish’ Literature, I made it my business to read pretty much everything Beckett ever wrote, and kept a journal about my reading. Although I am fond of some of the more arcane corners of Beckett’s prose (Watt is an insane, singular masterpiece, and Company is oddly affecting), there is really no other choice than the Trilogy to represent Beckett. Of course, everything by Beckett is ‘singular’. Richard Ellman called his work ‘sui generis’. The marvel for me is how adventurous, and written without any fear of consequence, and certainly not written in expectation of any commercial success, so much of 20th century modernist and postmodernist fiction was. Today, visual artists, and even musicians, seem to have a much greater freedom which is not extended to prose writers, to be ‘experimental’. It is difficult to conceive that novels such as Beckett wrote, or any of the nouveau roman writers (consult John Calder’s back catalogue), would see the light of day today, unless it was independently. We have gone backwards into the future.
Thursday, 11 June 2020
Wednesday, 10 June 2020
Favourite Books #13
Much is made of the endlessly reflexive structure of this narrative (who invented whom?), and it is certainly the most brilliant satire of academic wrongheadedness and pedantry, but it is ultimately a novel about obsession, whether born out of profound emotional grief, or sheer maniacal delusion. The witty and revealing epigraph, from Boswell’s Life Of Johnson, really tells you all you need to know to get started:
This reminds me of the ludicrous account he gave Mr. Langton, of the despicable state of a young gentleman of good family. “Sir, when I heard of him last, he was running about town shooting cats.” And then in a sort of kindly reverie, he bethought himself of his own favorite cat, and said, “But Hodge shan’t be shot: no, no, Hodge shall not be shot.”
Given to me initially as a gift, as it happens, from the loving daughter of a highly-respected art historian academic.
Tuesday, 9 June 2020
Favourite Books #12
Very ’70s, I suppose. Long hair, denim, lava lamps, incense, beads. Hallucinogenic drugs. Odd that such a staid, conservative, erudite character as Borges, a man who essentially spent his life in a library, would find trippy flower children as his western constituency. It is perhaps difficult to imagine now, as we look through the lens of experience at past naivety, how many doors in people’s heads Borges opened. Stories and novels didn’t have to be about made-up characters being manipulated over the course of a pre-determined narrative. They could be about ideas, concepts, often taken to a reductio ad absurdum. They could, to borrow a phrase of Borges himself, ‘treat metaphysics as a branch of fantastic literature.’ I’ll have some of that, thank you.
Favourite Books #11
Novels about novels. A novel about the reader(s), the writer, the reading and the writing, and the strange relationship between them. A story containing the beginnings of ten other possible stories. A mystery story about the pursuit of unfinished stories. It all sounds terribly clever, doesn’t it? Well, it is.
PS I also love Calvino’s Invisible Cities. And his criticism, collected in The Literature Machine, is also an eye opener.
Favourite Books #10
Speaking of Wittgenstein…then there’s Wittgenstein’s Mistress by David Markson (1988).
As David Foster Wallace wrote in a piece for Salon in 1999, ‘Overlooked - Five direly underappreciated U.S. novels >1960’:
‘W’s M is a dramatic rendering of what it would be like to live in the sort of universe described by logical atomism. A monologue, formally very odd, mostly one-sentences. Tied with Omensetter’s Luck for the all-time best U.S. book about human loneliness. These wouldn’t constitute ringing endorsements if they didn’t happen all to be simultaneously true — i.e., that a novel this abstract and erudite and avant-garde that could also be so moving makes Wittgenstein’s Mistress pretty much the high point of experimental fiction in this country.’
Wallace also wrote a wonderful essay on the novel, ‘The Empty Plenum: David Markson’s Wittgenstein’s Mistress’, which is available in his non-fiction collection Both Flesh And Not, and is linked below.
Incidentally, Markson also wrote a great chapter-by-chapter, full-length study of Under The Volcano (choice #2, remember?) called Malcolm Lowry’s Volcano, which is well worth seeking out. The good guys, and girls (should) stick together.
Favourite Books #9
Obviously, we all gravitate towards books which body forth and reinforce our own opinions, beliefs, prejudices - because they articulate what we feel. While it is salutary to have one’s complacencies challenged, it is also gratifying to know that we are not alone – especially if one considers oneself to be in a minority.
To quote Wittgenstein himself, as recounted by his Irish psychiatrist friend and former student, Maurice Drury:
“You must always be puzzled by mental illness. The thing I would dread most, if I became mentally ill, would be your adopting a common sense attitude; that you could take it for granted that I was deluded.”
I find the following passage from Wiggtenstein’s Nephew by Thomas Bernhard to be among the most moving and insightful in all of modern literature. I particular like the use of anaphora with the phrase ‘so-called mental disease’, and the observations on the use of language as a fortification against truth, rather than as a means of arriving at it, reflections which would have pleased the great philosopher himself.
‘In the last twenty years of his life, my friend had to be admitted to the mental asylum Am Steinof at least twice a year, always at short notice and always under the most terrible circumstances, or, if he was staying in Upper Austria when he was overtaken by one of his attacks, which grew more and more frequent as the years passed, he would be taken into the Wagner-Jauregg Hospital, near Linz. He had been born and brought up in Upper Austria, near the Traunsee, where he had right of domicile in an old farmhouse that had always belonged to the Wittgenstein family. His mental disease, which ought properly to be termed a so-called mental disease, manifested itself very early, when he was about thirty-five. He himself did not talk about it much, but putting together all I know about my friend, it is not difficult to form some idea of its genesis. Even as a child Paul had a predisposition to this so-called mental disease, which has never been precisely classified, having been born mentally sick, already suffering from the so-called mental disease that was to afflict him all his life. Until the day he died, he lived with this so-called mental disease just as naturally as others live without it. It furnished the most depressing evidence of the helplessness of the medical practitioners and of medical science in general. This medical helplessness of the doctors and their science led time and again to the wildest designations for Paul’s so-called mental disease, though naturally never to the correct one; all these designations for my friend’s so-called mental disease repeatedly proved incorrect, not to say absurd, cancelling one another out in the most depressing and disgraceful fashion. The so-called psychiatric specialists gave my friend’s illness first this name and then that, without having the courage to admit that there was no correct name for this disease, or indeed for any other, but only incorrect and misleading names; like all other doctors, they made life easy for themselves – and in the end murderously easy – by continually giving incorrect names to diseases. At every end and turn they would use the term manic or depressive, and they were always wrong. At every end and turn they would take refuge (like all doctors!) in yet another scientific term, in order to cover themselves, to protect themselves (though not the patient). Like all other doctors, those who treated Paul continually entrenched themselves behind Latin terms, which in due course they built up into an insuperable and impenetrable fortification between themselves and the patient, as their predecessors had done for centuries, solely in order to conceal their incompetence and cloak their charlatanry. From the very start of their treatment, which is known to employ the most inhuman, murderous, and deadly methods, Latin is set up as an invisible but uniquely impenetrable wall between themselves and their victims. Of all medical practitioners, psychiatrists are the most incompetent, having a closer affinity to the sex killer than to their science. All my life I have dreaded nothing so much as falling into the hands of psychiatrists, beside whom all other doctors, disastrous though they may be, are far less dangerous, for in our present-day society psychiatrists are a law unto themselves and enjoy total immunity, and after studying the methods they practiced quite unscrupulously on my friend Paul for so many years, my fear became yet more intense. Psychiatrists are the real demons of our age, going about their business with impunity and constrained by neither law nor conscience.’
THOMAS BERNHARD (1931 – 1989) grew up in Salzburg and in Vienna, where he studied music. In 1957 he began a second career as a playwright, poet, and novelist. The winner of many of the most prestigious literary prizes of Europe including the Austrian State Prize, the Bremen and Buchner prizes, and Le Prix Seguier, he has become one of the most widely translated and admired writers of his generation.
Favourite Books #8
Just when you thought it was safe to go back in the water – or to go out to work again. Well, I did warn you that 7 books would not be enough, and said it would probably be more like 7x7. However, as I also mentioned, I don’t have access to my full library at the moment, so this has been largely a memory exercise. Maybe I’ll just keep going until I run out of steam. Or how’s about I do half now, half later, when my library is restored to me? Let’s play it by ear.
‘Is literary greatness still possible? … One of the few answers available to English-language readers is the work of W. G. Sebald.’ Susan Sontag, 2000. (Full articles linked below.)
That quotation is from a review of Vertigo, but each of Sebald’s four major prose fictions, Vertigo, The Emigrants, The Rings of Saturn, and Austerlitz are essential. For me, it was a toss up between the last two, but really it could have been either. Sontag cites the influence, among others, of Thomas Bernhard, but I would add Beckett (both of whom we will get to presently). The psycho-geographic peregrinations of the narrator of Rings around Suffolk remind me of the musings of a Beckett tramp, as do the faded aristocrats he comes across, living in one room of a mansion they can no longer afford to maintain.
Incidentally, I see Sebald as a bridge between the German World War Two experience, and the flowering of Krautrock in the late p’60s/early ’70s. Sebald anatomises the guilt, groups like Can, Kraftwerk and Neu celebrate the liberation.
I sometimes wonder why I have read so much, when I have forgotten so much. I have not forgotten Sebald, but I can’t wait to read his books again.
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